Tue, 14 October 2008
THE BRASS VERDICT, the nineteenth novel from #1 New York Times Bestselling author Michael Connelly, gives definitive proof that Connelly is the most gifted crime writer since Raymond Chandler. Those with a debt to Chandler typically lack either the research skills, the knowledge of Los Angeles, or the soul for the job. Connelly has it all. Utilizing his skills as a former journalist, he not only nails the facts of legal and police business, he captures the complex psychology of his characters. Defense lawyer Mickey Haller and detective Harry Bosch are not pure heroes, they are men: they are not lovable, but they are competent and often admirable. To paraphrase Chandler, they have a range of awareness that startles you, but it belongs to them by right, because it belongs to the world they live in. It is above all in this melding of characters and setting that Connelly excels. Los Angeles is not a scenic backdrop, it is the master force that shapes all else, and we could not imagine Haller or Bosch being a part of any other world. But what is most remarkable about THE BRASS VERDICT is the way Connelly is able to recompose these sonorous echoes of Chandler into his own composition, settle them into his own score—with this world. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Behind the Black Mask: Mystery Writers Revealed" at http://btbm.libsyn.com.
Just wanted to thank both of you guys for providing this service (both entertaining and informative --in point of fact, I’m using the Megan Abbott Interview for an essay currently.) I would say keep up the good work, but I’m starting to get the sense that you guys may be out of the pod casting buissness. So thank you for the archives! Gordon.